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abada (2002-11-28 08:44:33) No.1
KZ好久不见，有眼福耳福。
我身边的许多人，包括一些导演，经理人事，都认为古典音乐难听，巴赫不知所云。没有一点办法。
我有时认为爱好音乐是一种病，和别人普遍基因有差别都可看成一种病。治这种病的药物还是音乐。
这种病的患病率在各地、各民族都差不多，大概1%，症状强烈的有万分之一吧。算一下中国13亿人，患病者也就一万多吧。玩笑一下。
患病率在各阶层还不一样。经理以上管理人员一般患病率较低，可能因为患这种病的人多是感情较丰富的人，而管理人员要往上爬的好，老板需要没有感情的人帮他管理。但老板阶层本身又不一定和管理阶层一样。
Biret (2002-11-28 09:53:54) No.2
跟现代绘画中把小提琴砸在画板上一样，是一种 “分离”传统材质的手法，很有助于创造现场气氛。
自明 (2002-11-28 11:34:12) No.3
Eugene Ysaye ( 1858-1931) 比利時小提琴家作曲家, 他的六首无伴奏小提琴奏鸣曲Op.27
Six Sonatas for Solo Violin Sonata No.1 in G Minor:
(Dedicated to Joseph Szigeti) 1. Grave 2. Fugato 3.
Allegretto poco scherzoso 4. Finale con brio Sonata
No.2 in A Major: (Dedicated to Jacques Thibaud) 1.
Obsession: Prélude 2. Malinconia, 3. Danse des ombres:
Sarabande 4. Les furies Sonata No.3 in D Minor (Dedicated
to George Enescu) "Ballade" Sonata No.4 in E Minor:
(Dedicated to Fritz Kreisler) 1- Allemanda 2. Sarabande
3. Finale Sonata NO.5 in G Major: (Dedicated to Mathieu
Crickboom) 1. L'aurore 2. Danse rustique Sonata No.6
in E Major (Dedicated to Manuel Quiroga)
Donna Anna (2002-11-28 12:24:00) No.4
http://www.beatles.de/xml/6/553761/5573842.html
Maxim Vengerov Plays Bach, Shchedrin, Ysaye EMI 7243
5 57384 2 4 [66:42] There's something especially moving
in the stark naked sound of the unaccompanied violin.
Johann Sebastian Bach knew it when he composed the
Sonatas and Partitas for violin. So did Nicolo Paganini
when he composed his set of Captrices for violin.
So did Eugene Ysaye when he composed six sonatas for
solo violin. Even contemporary composers such as Rodion
Shchedrin know the magic that the unadorned string
melody can work on its listeners. Maxim Vengerov is
a young, still in his twenties, violinist with a Russian
pedigree, who has been impressing listeners with his
recordings of concerti by Brahms, Tchaikowsky and
Shostakovitch of late. Now he has joined the ranks
of those working a capella and it is an impressive
disk indeed. He includes four of the six sonatas for
solo violin which Eugene Ysaye composed in 1924 dedicated
to his contemporarie. Number two (a Jacques Thibaud),
number three (a Georges Enesco), number four (a Fritz
Kreisler) and number six (a Manuel Quiroga) not only
pay tribute to those musicians but are also flavored
with the spirit of and frequent quotes from Bach's
music. Similar claims are made for the compositions
of Rodion Shchedrin, born 1932, although to be honest
I find his work less than pleasant to hear. When did
angularity replace lyricism and beauty in modern music?
If that makes me a curmudgeon, I will plead guilty
as charged. The centerpiece of this recording is the
famed Tocata and Fugue in D minor BMV 565. Speculations
are raised via the liner notes as to the authenticity
of the work listed as attributed to Bach and played
as a iece of solo violin in A minor. It's no surprise
to anyone who has spent much time listening to the
music of Bach that he often composed music for one
instrument and then arranged it for yet another. He
even composed music for which he did not specify any
particular instrument, leaving it to the discretion
of the performer. Or as I once put it ... if you play
piano, play it on the piano ... if you are an organist,
play it on the organ ... if you play violin, play
it on the violin. If it sounds good, do it. And on
the violin, at least in the hands of Maxim Vengerov,
it sounds good. Rumor has it that Maxim Vengerov is
contemplating tackling Bach's Sonatas and Partitas
for Solo Violine, BMV 1001 through 1006. Until that
happens, this recital will serve to whet the appetite.
DOWNBEAT (2002-11-29 00:14:03) No.5
好！很久没有看到KZ兄贴聆乐记，也很久没有看到对我所感兴趣的凡格罗夫的记叙了！KZ兄置身文化昌明之地，该当多写写聆乐记来给我们这些大洋彼岸的同胞看看呢！
尚怡老师好久不曾上来发过言了，是不是在专心相夫教女呢？：）
安妮宝宝很健康吧？有没有新照片可以放上来让我们大伙儿看看的？
YYO (2002-11-29 00:48:33) No.6
去年聽過 Maxim Vengerov 夥同指揮兼鋼琴家 Vag Papian 及「名家演奏團」(Virtuosi)
的演出，曲目是李察?史特勞斯的《降Ｅ大調小提琴奏鳴曲》、樂活的《交響樂團協奏曲》及由柏咸莫夫斯基改編多位著名作曲家的作品。是一場令人讚嘆的演出，除了超人的技術之外，還有那令人如癡如醉的音樂，相信有去欣賞的人都會有相同的感覺。而個人覺得非常值得一提的還有當晚的鋼琴家，他將鋼琴彈奏得淋漓盡致，實在是佩服得五體投地！
「名家演奏團」是由十一位獨奏樂手於一九九三年組成的，演奏曲目均是特別為演奏團改編的古典樂曲，演奏時全部不用視譜。樂手均帶俄羅斯背景，音樂總監與主要改編者都是莫斯科國家音樂學院的畢業生。
這場音樂會一直到表演前都還有許多空位，臨場台下也只坐不到六、七成，想想也挺辛酸的。
每位在台上演出的人都花了心血在學習和為上台演出而努力，他們真的需要大家的支持與及去聆聽的，因為唯有在現場,
才可以用心靈與音樂家產生直接的交流，這才算是感受到音樂最美好的一刻吧。
KZ (2002-12-02 02:41:07) No.7
谢谢ABADA和DOWNBEAT兄的问候。有空儿EMAIL联系。
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